SZOF
SZOF
SZOF

a

SZOF

2

SZOF

b

SZOF

d

SZOF

2

b

Art as one of the purest expressions of life possible: political, collective, sacred.

Juan Miró, ⅓ from tryptic La esperanza del condenado a muerte, Joan Miró, 1974, Fundación Joan Miró, Barcelona.

a

Parallel threads in tension, intertwining. Together, from their mutual encounter and rhythm they create a surface, a poem, a melody written among the lines of the score. Anni Albers, With Verticals, 1946, Red cotton and linen. The Josef and Anni Albers Foundation.

SZOF

4

SZOF
SZOF

3

d

SHEILA HICKS “Twisted paper interlocks and nestles in the hesitant weave.” A frame and threads are the sketchbook, the diary, the camera through which I report, process and express time, space and movements. Sheila Hicks, Luna, made in Seoul and Paris, 2001. Woven, reversible, all selvages finished. Handmade Nepalese paper. Scanned from Weaving as Metaphor

SZOF

c

c

A writing of instinct: the sign.

“the sign is not just an outlet of the unconscious, it is artistic expression and language, a sign exists in relation to others since it forms a structure with them”. Carla Accardi, Rosso - Verde, 1986, Silkscreen print with 7 colour pressing on white cardboard.

SZOF
SZOF

6

SZOF

1

1.Objects

2.Collabo

a

Parallel threads in tension, intertwining. Together, from their mutual encounter and rhythm they create a surface, a poem, a melody written among the lines of the score. Anni Albers, With Verticals, 1946, Red cotton and linen. The Josef and Anni Albers Foundation.

2.Collabo

3.Exhibitions

c

A writing of instinct: the sign. “the sign is not just an outlet of the unconscious, it is artistic expression and language, a sign exists in relation to others since it forms a structure with them”. Carla Accardi, Rosso - Verde, 1986, Silkscreen print with 7 colour pressing on white cardboard.

6.About

b

Art as one of the purest expressions of life possible: political, collective, sacred.

Juan Miró, ⅓ from tryptic La esperanza del condenado a muerte, Joan Miró, 1974, Fundación Joan Miró, Barcelona.

4.Workshop

4.Workshop

d

SHEILA HICKS “Twisted paper interlocks and nestles in the hesitant weave.” A frame and threads are the sketchbook, the diary, the camera through which I report, process and express time, space and movements. Sheila Hicks,Luna, made in Seoul and Paris, 2001. Woven, reversible, all selvages finished. Handmade Nepalese paper. Scanned from Weaving as Metaphor